{"id":20925,"date":"2025-12-03T14:56:33","date_gmt":"2025-12-03T18:56:33","guid":{"rendered":"https:\/\/red94.net\/news\/once-upon-a-time-in-hollywood-director-tarantino-slams-actor-as-weakest-in-sag-on-latest-podcast-calling-him-careers-biggest-flaw\/"},"modified":"2025-12-03T14:56:54","modified_gmt":"2025-12-03T18:56:54","slug":"65247-once-upon-a-time-in-hollywood-director-tarantino-slams-paul-dano-as-weakest-male","status":"publish","type":"post","link":"https:\/\/red94.net\/news\/65247-once-upon-a-time-in-hollywood-director-tarantino-slams-paul-dano-as-weakest-male\/","title":{"rendered":"Once Upon a Time in Hollywood director Tarantino slams actor as ‘weakest in SAG’ on latest podcast, calling him career’s biggest flaw"},"content":{"rendered":"

Once Upon a Time in Hollywood director Quentin Tarantino just delivered one of Hollywood’s most unexpected burns. During his appearance on The Bret Easton Ellis Podcast<\/b>, the acclaimed filmmaker unloaded on actor Paul Dano, calling him the weakest performer in the Screen Actors Guild and claiming his presence nearly ruined what could have been a masterpiece.<\/p>\n

\n

\ud83d\udd25 Quick Facts<\/h3>\n
    \n
  • Tarantino ranked There Will Be Blood<\/b> as his 5th favorite film of the 21st century on The Bret Easton Ellis Podcast<\/li>\n
  • He claimed Paul Dano’s performance prevented the film from placing in his top 1-2 positions<\/li>\n
  • Tarantino suggested Austin Butler<\/b> would have been “wonderful” in Dano’s dual role<\/li>\n
  • The comments sparked widespread backlash and debate across social media on December 3, 2025<\/li>\n<\/ul>\n<\/div>\n

    Tarantino’s Shocking Critique Targets Dano’s Once Upon a Time Co-Star<\/h2>\n

    During his December 3 podcast conversation with Bret Easton Ellis<\/b>, Tarantino discussed his ranking of 21st-century films. When he reached Paul Thomas Anderson<\/b>‘s acclaimed 2007 masterpiece, he praised the filmmaking but couldn’t resist targeting its co-lead.<\/p>\n

    “There Will Be Blood could’ve been ranked first or second,” Tarantino explained, “if it didn’t have a big, giant flaw in it… and the flaw is Paul Dano.” He then escalated his assessment dramatically.<\/p>\n

    “He is weak sauce, man. He is the weak sister. Austin Butler would have been wonderful in that role. He’s just such a weak, weak, uninteresting guy. Daniel Day-Lewis shows that he doesn’t need a strong foil. The movie needs it. He doesn’t need anything. You put him with the weakest fucking actor in SAG? The limpest dick in the world?”<\/p><\/blockquote>\n

    \u2014 Quentin Tarantino<\/b>, Director\/Producer<\/p>\n

    How One Director’s Critical Take Reignited Industry Debate<\/h2>\n

    Tarantino clarified that he wasn’t questioning Dano’s basic talent level during the conversation. When Ellis<\/b> countered that Dano was “quite good” for what the role required, Tarantino doubled down differently.<\/p>\n

    “I am not saying he is giving a terrible performance,” Tarantino said. “I am saying he’s giving a non-entity performance. I don’t care for him.” His argument centered on the supposed dynamic between the two leads rather than Dano’s absolute capabilities as an actor.<\/p>\n

    The Reality Behind Dano’s Dual-Role Casting Choice<\/h2>\n

    What many fans don’t realize is that Paul Thomas Anderson<\/b> personally rewrote There Will Be Blood to expand Dano’s presence. The director actually handpicked Dano for the expanded dual role of identical twins Eli and Paul Sunday after initially casting him only as Paul.<\/p>\n

    According to a 2008 NPR interview with Terry Gross<\/b>, Dano revealed he had only a few days to prepare for playing Eli\u2014the preacher locked in psychological warfare with Day-Lewis’s oil baron. Meanwhile, Day-Lewis had an entire year to develop his performance. Anderson clearly believed in Dano’s capability, having enhanced rather than diminished his role.<\/p>\n

    Fan Reaction and Industry Response to Controversial Comments<\/h2>\n

    Social media erupted with outrage following the podcast release on December 3, 2025<\/b>. Supporters of Dano pointed out his critically acclaimed performances in films like Little Miss Sunshine<\/b>, The Fabelmans<\/b>, and The Batman<\/b> franchise. Critics also questioned Tarantino’s credibility as someone who has faced his own controversies throughout his career.<\/p>\n

    The backlash raises questions about how established filmmakers should publicly discuss working actors, particularly when those comments target performances in films directed by their peers. Many observers noted that Anderson’s creative choice to expand Dano’s role suggested confidence in his abilities that Tarantino’s critique seemed to dismiss.<\/p>\n

    Could This Beef Signal Deeper Creative Differences Between Acclaimed Directors?<\/h2>\n

    Tarantino’s passionate assessment might also hint at underlying competitive tensions within elite filmmaking circles. His comparison to Austin Butler<\/b>\u2014who was only 16 years old when There Will Be Blood filmed\u2014suggested more about Tarantino’s perspective than definitive performance metrics.<\/p>\n

    The incident serves as a reminder that even the film industry’s most celebrated voices maintain deeply personal, often unpopular opinions about their peers’ creative choices. Whether viewers agree with Tarantino’s assessment or stand with Dano’s defenders, the debate has certainly kept one of cinema’s most interesting films in the cultural conversation years after its original release.<\/p>\n

    Sources<\/h3>\n
      \n
    • Variety<\/b> – Complete interview details and Dano’s original role information<\/li>\n
    • CNN Entertainment<\/b> – Context about Dano’s career and Anderson’s casting decisions<\/li>\n
    • The Bret Easton Ellis Podcast<\/b> – Direct source of quoted comments from Tarantino<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":18,"featured_media":20924,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"schema_org_data":"{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Person\",\"name\":\"Quentin Tarantino\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/1gjcpAa99FAOWGnrUvHEXXsRs7o.jpg\",\"sameAs\":[\"https:\/\/www.themoviedb.org\/person\/138\"]},{\"@type\":\"Person\",\"name\":\"Paul Dano\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/zEJJsm0z07EPNl2Pi1h67xuCmcA.jpg\",\"sameAs\":[\"https:\/\/www.themoviedb.org\/person\/17142\"]},{\"@type\":\"Person\",\"name\":\"Bret Easton Ellis\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/aDN2rzD9ezgD2wSOK7l6oHXWeAq.jpg\",\"sameAs\":[\"https:\/\/www.themoviedb.org\/person\/16379\"]},{\"@type\":\"Person\",\"name\":\"Paul Thomas Anderson\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/wKAs2LtLYSUzt3ZZ8pnxMwuEWuR.jpg\",\"sameAs\":[\"https:\/\/www.themoviedb.org\/person\/4762\"]},{\"@type\":\"Person\",\"name\":\"Daniel Day-Lewis\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/3kNA9VcmymoEwT0btQ4bvMYxzcP.jpg\",\"sameAs\":[\"https:\/\/www.themoviedb.org\/person\/11856\"]},{\"@type\":\"Person\",\"name\":\"Austin Butler\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/atdAs4pFGjUQ4m2W8kJYly7N6cC.jpg\",\"sameAs\":[\"https:\/\/www.themoviedb.org\/person\/86654\"]},{\"@type\":\"Person\",\"name\":\"Terry Gross\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/3QiZWwqPrQuXNftxcijqxL3obEe.jpg\",\"sameAs\":[\"https:\/\/www.themoviedb.org\/person\/933891\"]},{\"@type\":\"Movie\",\"name\":\"Once Upon a Time... in Hollywood\",\"image\":\"https:\/\/image.tmdb.org\/t\/p\/w500\/8j58iEBw9pOXFD2L0nt0ZXeHviB.jpg\",\"dateCreated\":\"2019-07-24\",\"aggregateRating\":{\"@type\":\"AggregateRating\",\"ratingValue\":7.426,\"bestRating\":\"10\",\"ratingCount\":14317},\"description\":\"Los Angeles, 1969. 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